Emma Caulfield Stakes her claim on the big screen in Darkness Falls (by Tara Di Lullo)
As her character on UPN’s hugely popular series,
Buffy the Vampire Slayer, Emma Caulfield (29) has slayed vampires and
demons, wreaked vengeance on countless humans and staved off apocalypse after
apocalypse. Now, the actress jumps into a new and dangerous arena just as
fraught with challenges and dire consequences – the big screen. After a
successful decade of television work (Beverly Hills 90210, General
Hospital, and Silk Stalkings) including her five seasons as
ex-vengeance demon Anya on Buffy, Emma is starring in her first film -
the creepy thriller, Darkness Falls.
Shot primarily in Australia, the movie nonetheless
centers on the sleepy New England town of Darkness Falls, which is harboring a
hundred year old secret shame. In the early 1800’s, the reclusive widow Matilda
Dixon was considered a harmless woman who took a shine to the children of the
community. They would offer her their baby teeth in exchange for cakes and
treats thus earning her the nickname of “The Tooth Fairy.” That is until two
children turned up missing and the townspeople, spurred by distrust and rage,
savagely murdered Matilda. As her body burned, the missing children appeared
having only been lost in the woods. Since then, legend tells of “The Tooth
Fairy” haunting the dark places of the town killing anyone who sees her.
Emma plays Caitlin 'Cat' Greene, a young
woman from the town who fights to protect her younger brother (Lee Cormie) from
the “The Tooth Fairy” who is menacing him when he sleeps. Caitlin’s former beau
Kyle (played by newcomer Chaney Kley) who was also plagued by “The Tooth Fairy”
in his youth, returns to town to help stop the evil specter from taking any more
victims.
Emma and I talked last month by
phone from LA, as she was finishing up filming Buffy before the holiday
break. Spirited, funny and refreshingly candid, Caulfield talked about her role
in Darkness Falls, her role as Anya on Buffy and the challenges of
balancing her artistic and professional soul.
For
many of the members of the Darkness Falls cast and crew including
director Jonathan Liebsman and co-stars Chaney Kley & Lee Cormie and yourself,
this was a first major film experience. What kind of challenges did that
present for you?
I wouldn’t
say it was challenging, so much. There’s really not a huge difference between
the mediums [of TV and film] except for the amount of time that you are allotted
to actually do a scene. I’ve been in the business in one form or another for
awhile so I was pretty comfortable. I suppose the time difference was the most
challenging aspect of shooting the film concurrently with shooting Buffy.
That’s a huge challenge considering the distance alone. How did that work out
for you?
I went
back and forth twice. Then, I went east for three-week intervals. I would shoot
my stuff at Buffy and then run off and get on a plane to Australia and
then come back and pick right up shooting Buffy with the second unit. We
shoot far enough in advance [on Buffy] that I could pick my stuff up later so
luckily I didn’t have to miss any episodes. The beginning of the shoot was very
difficult. I had horrible jet lag but you get used to it. It was hard but by the
second time it was easier. It was well worth it.
You
shot the film mostly in Australia even though the film takes place in New
England. How was it working Down Under?
I
absolutely obsessively love that country. It’s amazing. It’s well worth the
travel. I could see myself having a place there – ideally I can see myself doing
that someday.
How was
it working with Lee and Chaney?
Chaney was
pretty new to the business entirely so he was trying to find his way and he did
it completely fantastically. He was just lovely. Lee had done a few commercials
in Australia so he was pretty new to the business as well as one would be
considering he is eight. [Chuckles] I was definitely the veteran coming into the
film. It was a group effort to get it made.
Your
character, Caitlin, is a reluctant heroine who rises to the occasion in the
film. Was it important to you that she not be portrayed as the typical horror
film damsel in distress?
Oh,
very much. I had no interest in being your basic vanilla girl. I’ve been lucky
enough that I haven’t had to play that [in my career.] I certainly don’t play it
on Buffy and Caitlin’s definitely not that girl. She is a heroine and
reluctant in the sense that she doesn’t believe what is going on at first but
once she does, she’s right there in the mix. She can handle herself. [Chuckles].
Did you
enjoy the physicality of the role?
It
was so much fun. I don’t get a chance to do many of my own stunts on Buffy
– none of us do. We have amazing stunt people who make us all look really
believable and really good. So when [the producers of Darkness Falls]
actually said I could do as much of my own stunt work as I wanted, I was totally
elated and had so much fun doing it. I went back to the hotel every night with
bruises and cuts so it was like being a little kid again.
Buffy
has thriller and horror elements depending on the episode and Darkness Falls
is a full-out thriller, do you particularly like the genre?
I
definitely gravitate towards quality genre projects and genre of any kind
whether it’s science fiction, horror or really anything. I’m just drawn to
quality. I don’t think Darkness Falls is horror; there isn’t any
gore by any stretch of the imagination.
Speaking of which, director Jonathan Liebsman really has made a film that is
throwback to the more suspenseful days of horror/thriller films.
Yes!
Jonathan is the sole reason for my doing the project. I saw a short film of his
called Genesis and Catastrophe that blew me away. It was so dark
and visceral and thought provoking. So, when I heard he was doing the film, I
said ‘Ok, where do I sign on?’ I knew that anything he was going to bring to the
picture was going to be great.
Sometimes actually working with someone you admire can be a completely different
experience. Did he live up to your expectations? What made him special to work
with?
He is just
so untouched by everything. He is completely new to the business – this is his
first film. He was looking at everything through virgin eyes. Sometimes, he
would have a communication breakdown with his accent; he has a heavy South
African accent. So it was a challenge to sometimes understand what he was
looking for but it didn’t take too long. After awhile, I began to understand
Liebsman-speak. We got to the point as he would prattle on about ‘uhm…I think
I’d like you to look and maybe this and do…’ and I’d just look at him and say
‘More scared?’ and he would light up and say ‘Yeah!’ [Laughs]
I adore
him. I can’t wait to work with him again!
The
legendary FX guru, Stan Winston brings the villainous spirit of Matilda to life
for the film. How much of Matilda did you get to see and work against while
shooting?
I had
nothing to work off. I never did so I was literally acting to nothing. [Laughs]
It made it
interesting because when I saw the final product and they had inserted the
elements, it was very interesting, to say the least. There was me with this
thing on screen and I could finally say ‘Oh, that’s what it was!’ There was no
way to even really imagine it because how can you imagine something that is
going to come out of Stan’s genius. What he created is really creepy looking,
it’s going to scare people.
I
read you have a degree in psychology and this film deals with the dilemma of
what is real and what is imagined in the psyche. Was that fun to delve into?
I don’t
have a degree in psychology. I attempted to acquire that numerous times and each
time dropped out for work so I don’t actually have the degree. Sadly, it will
plague me until whenever. But I learned enough to get a background and it’s been
helpful in all aspects of what I do. It’s in every acting job I’ve had and there
is a fine line to the art of understanding human beings and probably one I will
never master. I’ve spent years doing it in an imaginary way.
Is
there a scene in the film that you are particularly proud of?
The scene
with the cat is my favorite. We barely got that scene off because we ran over
that day so we were going to scrap it. I was leaving to go back to LA and there
was just no time but I really wanted to get the scene. I knew it would be great.
So, we threw it together and we got it off in one take and it just worked. I
just loved that moment. It was an unexpected scare and it was a tension release
- a very much needed audience breather moment.
What
are your favorite scary films?
Oh,
as for thrillers: Silence of the Lambs, which is my all-time
favorite film or The Others, which I loved. As for action horror
films maybe Aliens and Alien; I could watch them
over and over. I’m a big fan of being scared – I like being scared. I like being
involved in a film that will make audiences scared, that intrigues me.
Is the
studio talking sequel yet?
I am
already attached to a sequel. They have me if they want to make another one.
Switching gears to your TV gig, you’ve said in interviews that this is going to
be your last season of Buffy regardless of whether it continues or not.
Do you still feel the same?
Yeah, I’m
definitely ready. I am absolutely leaving at the end of the season. It’s just
time. I’ve given this analogy of feeling like being a senior in high school; as
much as I loved being a senior in high school, I’m really looking forward to
being a freshman. That’s really where my head is except I’ve spent two years
being a senior. [Laughs] I’ve been here going on my fifth year and it’s
definitely time. You know, there’s really only so much you can do with a
character and hopefully, I’ve kept [Anya] fresh. That becomes the big challenge
in and of itself beyond complementing and enhancing the writing. At this point,
the challenge really isn’t being a good actor but how to make her interesting.
When it really becomes so much about that and you are really grappling with
trying to keep things fresh, then it’s time to look at that and move on.
You
were supposed to only be a one-episode character and here you are 4 seasons
later. What’s been the biggest pleasure for you as an actress playing Anya?
Probably
the singing and the dancing.
After
the much acclaimed musical episode last season Once More with Feeling,
you were the only cast member to get an extra song in this season’s episode
“Selfless”?
Yeah, they
spoiled me. That episode…that’s one of those experiences that will be very hard
to rival in any venue whether I’m on stage or film or another show. Playing
Anya, just that alone, I’ve raised the bar for myself. Having an episode like
that where I was able to do everything: singing, dancing, speaking Swedish,
swordplay!
Did you
actually speak Swedish in that episode?
It was
Swedish! [The producers] have always trusted me every time they’ve decided to
raise the bar for her. It’s confidence inspiring that the writers and producers
believe enough in her and in me that I can somehow pull it off. When I don’t
feel that I can, they’ll come in and say ‘Yes, you can’ and push me farther.
That’s really, hopefully, what this business is about as an actor – pushing your
boundaries and being scared. I haven’t been scared in awhile so that was nice.
With
Anya you get a chance to show off your exceptional comedic timing. You make the
line delivery look so simple but actors always say comedy is terribly hard. Did
you always know comedy was your forte?
Thank you.
I’ve always loved comedy and wanted to do it. It definitely had been something
I’d wanted to focus on prior to Buffy. Up until the show, it was very
difficult for me to break down the casting directors doors in terms of half hour
comedies. They had it in their heads that I was a dramatic actress and that I
wasn’t funny. I was told that – ‘She isn’t funny and she can’t do comedy.’ I was
told that repeatedly. I knew that was wrong. I’m not saying I’m brilliant but I
know what my abilities are and I knew that I could do it. I would have to say
the projects that I was reading for the most part weren’t really funny in their
nature and were trying to be funny and I think that is inherently
unfunny. [Laughs]
What makes
Anya so funny is that she is never trying to go for a joke. Anya’s ability to
endear herself to people comes from the fact that she just doesn’t edit herself.
Plus, the writing is just amazing. I know that what I do for her and hopefully I
bring it justice, but they write her so well that I think anybody could say
those lines and be funny. The way they write her is how I view comedy. She’s
very true and you play her straight. I think anytime you play anything straight
it inevitably ends up being funnier than if you set out to find the joke. She
just is the joke.
With
the immense success of the show, self-described shy Emma now has a lot of fans
clamoring to meet you? Has the show changed your personal life? Is it
disconcerting for you?
You know,
I’m honestly rarely ever recognized. Seriously. It goes back to my own mother
not being able to recognize me in a line-up of one. [Laughs] She will pass by me
if we are supposed to meet in a mall, she’ll walk right past me! I don’t know
what it is about me. I really have the ability to be a chameleon and blend in
with the woodwork. I’ll be out with Aly Hannigan (Willow on Buffy)
shopping or whatever and fans of the show will come up and say ‘Oh, we love
Willow!’ I’m so used to it, I just laugh and go about my business. Then Aly will
turn to me and say ‘Well, she’s on the show!’ The fans will ask me who I am then
get excited when I tell them. They always say I look so different. I don’t think
I do but I guess I do. So, my anonymity is very much intact and I don’t know if
the film will change that but for the time being I have been very fortunate. If
I go to something fan related like a Buffy autograph signing, that’s very
surreal because I’m not used to it. Suddenly, I’m seeing thousands of people who
know everything about my life! Otherwise, if anyone comes up to me, I’m usually
mistaken for Kate Beckinsale (Pearl Harbor) and I used to get
Alyssa Milano when I had dark hair.
Your
roots are in theater and you’ve said that you would like to go back but would
you ever want to do a TV series again?
I love
theater but it would have to be somewhat of a lucrative venture for me because I
own a home now and I have a mortgage. [Laughs] While theater feeds the soul, it
doesn’t feed the pocketbook. If the right thing came along, I would do it in a
minute. I would prefer to do that right away before another film or TV show. I
really have been missing theater but I think I need to stick to the other
venues.
As for
doing another TV show, at the end of the day I really just want to do good work
and I’ve been very spoiled by the quality of Buffy. I wouldn’t just want
to do another show. Hopefully, I’ll be lucky enough to continue with the same
level of quality on my next project.
Despite
the huge fan base and cult status of Buffy over the last seven years, the
show continues to be the “bastard step child” when it comes to Emmy award
recognition. Does that make the cast angry?
I wouldn’t
presume to speak for the cast but I’ve always been outspoken about my
disappointment with the Emmy board. I don’t understand how anyone can watch the
show and not want to honor it. I think that is the point – the people on the
Emmy board don’t watch the show and if they did they would honor it. The show is
appreciated and honored by the people who really matter, which first and
foremost are the fans but even beyond that, is the critical recognition since
its debut. It’s on virtually every critics top ten and has been time and again.
And each time the show is snubbed, there is usually a flurry of press that comes
around the next day saying ‘What were they thinking!’ That’s nice and
vindicating. We really are appreciated by those that matter but that being said
it would be nice to be recognized by the only award that TV really has. But
regardless, I think that history will be kind to the show.
It must be really satisfying to know you’ve contributed to something that will
stand the test of time?
Oh, yeah!
I’m a part of major pop culture and that transcends a paycheck, time,
everything. I’ve been blessed. I was a fan of the show before I was on it and to
actually have made my living and made a major elevation in my career doing
something that I respect so much has been…I don’t even have words for it.
You’ve said you can see a time when you leave the acting behind and maybe work
with animals. Could you honestly do that and still creatively be happy?
Let’s put
it this way, I’m never going to be satisfied by just wearing one hat. For the
time being, what I’m doing is fine. Where I’m going to be in ten years, I don’t
know but I don’t want to be doing just this. That’s probably more of an accurate
statement than saying, ‘I want to leave and go do blah, blah, blah.’ I just know
that I’ll need change. Just being an actor just flat out doesn’t feed my soul
enough. There are things that I really want to do with my life and getting that
next part may be essential but it’s not the end all-be all. It’s fun and it’s a
job but at the end of the day it’s still just “what I do.” I don’t mean to
sound ungrateful but my experience has been, the less I want something the
easier it comes. I don’t know if that is true for everyone but in my world, it’s
been that way. It’s not to say I’m not ambitious, I am. I will fight for
projects I want because as much
as this is a nine to five for me, it’s still my career and I need to nurture it
so that it takes on multiple levels and helps me grow as a person and an artist.